Coal City Art Exhibition 2018: The African Child

Coal City Art exhibition, The African Child
The Curtain was finally drawn over the largest Art exhibition in South East, The Coal city Art exhibition 2018, which held from June 16 and ended on June 17th, packaged by GHills Entertainment.

June 16th is Day of the African Child and it was first established by the Organization of the African Unity in 1991. The day aims at raising awareness for the situation of children in Africa, and on the need for continuing improvement in education. It encourages people’s spirit of abundance to share something special with a child in Africa.
The coal city art exhibition in its third edition, acording to the curator and project custodian, Oarhe Ohis, is aimed at creating awareness to the poor living condition of many African child and the need for continuing improvement in Education.
Identifying the problems of the African child, Oarhe hinted that lack of Education, child labour and hunger are some of the major problems affecting the progress of the African child, adding that every African must begin to identify with children around them and encourage them to live a normal life.
 Speaking on why the exhibition was concerned about the problem of chidren in Africa and how he intends to use entertainment and art to tackle the menace, Oarhe disclosed that the exhibition featured artworks from young, underground, unknown, selected artists and professionals across Nigeria to tell relatable stories that will evoke passion and sympathy.  
Oarhe Ohis
Oarhe Ohis



Three major problems THE AFRICAN CHILD faces include lack of Access to EducationChild Labor, and Child Hunger.
 Coal City Art Exhibition 3rd edition, Themed: THE AFRICAN CHILD was used to raise awareness for the African Child both Male and Female, lack of access to education, child labor, hunger, and the girl child.
Project custodian, GHills Entertainment said the exhibition would use artworks from young, underground, unknown, selected artists and professionals from within and outside Enugu state (Nigeria at large) to identify and profer solutions to the challenges of The African Child
The 2-day exhibition featured paintings, drawings, hyper-realisms, mixed medias, textiles, sculptures and body paintings.

Below are some of the captivating artworks from 20 exhibiting artists, and other behind the camera captures:-


Less Hope  © Zimmy Chuks
 Less Hope
© Zimmy Chuks



  Dysphoria by  Nnadi Chukwuemeka
 Dysphoria
© Nnadi Chukwuemeka
Nnadi Chukwuemeka's drawing captured an African child in an unfriendly and harsh environment. The psychological state of children in this situation is that of unwellness, unhappiness, feeling of emotional and mental discomfort., the child sufffers from restlessness, malaise, depression or anxiety. What with that depressive and unhappy look on the child's face?


Better Days by Bee Khalifan
Better Days
© Bee Khalifan


Onwe Kingsley Ndubuisi with exhibiting artist Marvelous Okafor
(L-R) Kings Ndubuisi with exhibiting artist Marvelous Okafor


Lost Heritage by  Chibueze Stephen
 Lost Heritage
© Chibueze Stephen


Flower Girl by Chinedum Nwankwo at Coal City Art exhibition 2018
 Flower Girl
© Chinedum Nwankwo
A look at Chinedum Nwankwo's 'Flower Girl' elicites that African feelings and experience one encounters while coming across things African. With rich, beautiful design patterns, and accentuating body painting, this truly expresses the typical traditional dressing of an African girl.


Paschal Anorue's 'Ayo' at Coal City Art exhibition 2018
Ayo (Joy)
© Paschal Anorue

The African child is strong, energetic, lively, happy and moreover hopeful., despite the hardships and up and downs of everyday living, in a harsh environment.


'A Taste' by Marvelous Okafor showing at Coal City Art exhibition 2018
A Taste
© Marvelous Okafor

One will not help but marvel at this charcoal on paper rendition by Okafor Marvelous. No wonder his name is Marvelous. Who will even believe that this is a mere drawing?! As hard as it is to believe, it is really a drawing, a hyper realistic one for that matter. 'A taste' is all about the pitiable situation of a child experiencing the pang of hunger. The hungry look in their face, the cry for food., and their weak health state all being put down on a 2D form. It elicites pity, as majority of hungry African kids are also malnourished. A beautiful and important work this really is, just picture the sorrowful state of hungry people., that they are able to hold up their plates asking for food is a miracle of its own. Hunger indeed kills. Feed the hungry.

Paschal Anorue and Onwe Kingsley Ndubuisi
(L-R) Exhibiting artist Paschal Anorue and Kings Ndubuisi


Onwe Kingsley Ndubuisi at Paschal Anorue's corner
At Paschal Anorue's corner



'Untold Stories' by Chinedum Nwankwo
Untold Stories
© Chinedum Nwankwo

What are the untold stories behind the fate of the street kids? Chinedum Nwankwo again tells it all in this drawing. From homelessness, hunger, lack of education, and other inumerable dangers.

'Lost Culture' by Njeze Onyemaechi
Lost Culture
© Njeze Onyemaechi

" Our people has lost most of their cultural values, forgetting that from culture, you have science, and this drives you to technology. Africans has abandoned so much for petroleum. We're naturally endowed with lots of minerals. Before now, Nigeria generates plenty of revenues from Agriculture e.g Palm Oil, Groundnut, Cocoa etc, but we have abandoned them for Petroleum. About 35 years ago, Malaysians collected palm seedlings from Nigeria, and now 80% of red and vegetable oil we consume today, we import from Malaysia. Please let us go back to Agriculture "
_ Njeze Onyemaechi

'African Child'  by Bee Khalifan Art
African Child
© Bee Khalifan Art

The 'African Child' by Bee Khalifan really showed the state of an African child in an African environment. Many African children are subjected to child labour. They're given errands or chores too big for their age. They suffer enslaving maltreatments as most are made to work from dawn to dusk without rest, thus affecting their growth and health.

'Purification' by James Ogamba
Purification
© James Ogamba

The portrayal of the cultural practices inherent in the Igbo race when a child is born, or when their is some kind of ritual ceremony over an infant child, is the message behind 'Purification' by James Ogamba. The Igbos no doubt value child dedication and protection, and James Ogamba's oil brush strokes expressed it. The surface picture shows a child being bathed, but what message is the painting telling? _ Child Cleansing.

'Damsel in distress' by James Ogamba
Damsel in Distress
© James Ogamba


Onwe Kingsley Ndubuisi behind a graffiti work
Behind a Graffitti exhibit


'In the midst of Unripe' by Onyibor Uchenna
In the midst of unripe
© Onyibor Uchenna



Paschal Anorue's 'Ologede' (Plantain boy)
Ologede (Plantain boy)
© Paschal Anorue

When a child is subjected to some kind of abuse, we call that Child Abuse, right? Coming face to face with Paschal Anorue's canvas expression in oil, Ologede (plantain boy) instantly gives one that understanding of a young child subjected to hawking on the street. These children are deprived of education or going to school most of the time. At some other times, they're deprived of food or made to starve as a form of punishment. What about the dangers posed by this form of child abuse? Name them., rape, falling victim of kidnapping and so on. What a dangerous situation! Yet thousand of African children are roaming the streets everyday. Paschal Anorue indeed deserve accolades and commendation for a great piece, that so much portray the everyday picture of an African child hawking on the streets.



Young artist Samuel also at the exhibition
Young artist Samuel is also at the exhibition

When Mydrim Gallery roll out drum for the 'Masters'

Founder of Mydrim Gallery, Mrs Sinmidele Adesanya during a press preview of The Masters exhibition in Lagos.
Founder of Mydrim Gallery, Mrs Sinmidele Adesanya during a press preview of The Masters exhibition in Lagos.
From June 3 - 4, 2018, Mydrim Gallery, Ikoyi, Lagos, will roll out the drums with 'The Masters' art exhibition at Desiderata, Bannana Island, Ikoyi, Lagos.     The exhibition features works of Jimoh Akolo,
El Anatsui, Abayomi Barber, Jimoh Buraimoh, David Dale, Nike Davies-Okundaye, Bisi Fakeye, Yusuf Grillo, Gani Odutokun, 
Bruce Onobrakpeya, Kolade Oshinowo and Muraina Oyelami.

Artist, David Dale (seated) with Founder of Mydrim Gallery, Mrs Sinmidele Adesanya and Mr Bambo Adesanya SAN, during the private viewing of The Masters art exhibition in Lagos...on Thursday.
Artist, David Dale (seated) with Founder of Mydrim Gallery, Mrs Sinmidele Adesanya and Mr Bambo Adesanya SAN, during the private viewing of The Masters art exhibition in Lagos...on Thursday.

 Ahead of the public opening, 'The Masters' art exhibition took off with a private viewing on Thursday at Templars, a law firm in Lagos.

An Art exhibition visitor captivated in admiration
Captivated in admiration
      During a preview few hours ago, in Lagos, the founder of Mydrim Gallery, Mrs Sinmidele Adesanya described the exhibiting artists as representing the "source" of modern and contemporary Nigerian art.

Excerpts;
"Nigerian proverb says 'A river that does not know its source will soon run dry'.
This exhibition is a display of the works of twelve of Nigeria's Masters, such that art lovers, artists and art students know the "source"- some of those artists who steered the course and remained committed and focused to developing the visual arts in Nigeria in the face of monumental challenges. They made the sacrifices for the present generation of artists.

"Young artists today need to know the history of those who paved the way for them.The masters in this exhibition have not only created an extensive body of work but they have also changed the ideology of what it is to be an artist, and African at that. They have brought world renown to Nigerian art; some of them like Onobrakpeya and Grillo brought heavy reform to Nigerian art in the form of the Zaria Art Society and rebelled against Western schools of thought during their school days. All of the Masters in this exhibition have dedicated their lives to serving the art and have extensively studied, researched and honed their talent. Becoming a Master takes a lifetime of practice and perfecting as well as having influence in the form of mentoring and teaching. These artists have the clout that is not born in a day. Mydrim would like to draw more attention than to the names of these artists, because their skill and creativity presupposes itself and speaks for itself. Not only that but they also create emblems of Nigerian society at large and add depths to the culture.Most of these artists are matured in age so Mydrim wishes to celebrate them in their lifetime.

"Mydrim is the perfect gallery to commemorate these greats since Mydrim has been a part of all of their journeys in some shape or form. We owe it to them to give them the accolades they deserve.Artists".

"Mydrim Gallery was established by Mrs Sinmidele Adesanya in December 1992. She had a passion for fine arts and recognised the incredible talent of the Nigerian artist. Unfortunately, at that time the art profession was generally not regarded as one of the noble professions and society did not accord much importance to the artists or their works.

"The objective of the gallery was to rectify this anomaly and create a platform for educating Nigerians about the importance and the value of art. The Gallery also sought to discover and promote new artists and also to showcase the works of emerging and established artists.It has been an extremely challenging journey, but twenty five years later, Mydrim has contributed significantly to the development of the visual arts in Nigeria. The promulgation of art as a great store of value has been established and artists are now held in high esteem.

"The works of Nigerian artists are now sought after all over the world. Mydrim Gallery remains at the forefront of providing art lovers in Lagos and across the country an avenue to discover and acquire important and collectable works of art by African artists. In 2015, Mydrim Gallery represented Africa at the modern art section of International Art Dubai Fair in recognition of its involvement with art in Nigeria. Mydrim Gallery offers a range of services including acquisitions, collection management, curatorial services and advisory.

"For more than 25 years, Mydrim has remained a major player in the Nigerian art industry with the keen oversight of Sinmidele Adesanya, who is highly regarded for making art relevant and accessible to a contemporary audience".
     The 'Masters' Exhibition open on sunday by 10 a.m to 7 p.m. See you at the show.






                                              Source: African Arts with Taj




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